This is an adapted screen play from "Waiting for the Barbarians" by Cotzee

Waiting for the Barbarians: SCREENPLAY IN. GRANANRY -DAY TRACKING apoplexy- FRONTAL VIEW Magistrate and Joll are locomote quickly down the hall. at that place are tacky noises in the background of doors shutting and mickle walking) MAGISTRATE What if your prisoner is recounting the truth, further finds he is non believed? Is that not a terrible office? Imagine: to be vigilant to yield, to yield, to render nothing to a greater extent(prenominal) to yield, (speech becomes red-hot and passionate) to be broken, yet to be pressed to yield more(prenominal)! And what a righteousness for the interrogator! How do you ever endure when a piece of music has told you the truth? (gasp) Joll walks faster and Magistrate move behind. COLONOL JOLL There is a current ghost (verbal pause). A genuine tone enters the voice of a man who is telling the truth. culture and experience train us to recognize that tone. (said with declaration and assurance) tight-fitting UP- MAGISTRA TE show aggravation MAGISTRATE The tone of truth! TRACKING wisecrack - FRONTAL VIEW MAGISTRATE Can you pick up this tone in every day speech? Can you determine whether I am telling the truth? (said as he catches up with Joll) Both men stop and face individually other. COLONEL JOLL No, you misunderstand me.

I am speaking only of a special situation now, I am speaking of a situation in which I am probing for the truth, in which I have to exert pressure to find it. firstly I trance lies, you see - this is what happens-first lies, then pressure, then more lies, then more pressure, then the break, then more pr essure, then the truth. This is how you get ! the truth. Magistrate continues on by himself into the prison section of the Granary. IN. prison - MID DAY SILENCE - echoes of disregard whispers LONG opalescent Magistrate pulls... If you want to get a full essay, order it on our website: OrderCustomPaper.com

If you want to get a full essay, visit our page: write my paper